I don’t think I can do an essay on fanfiction in general, but I’m fairly sure I’ve written more fanfiction for Prequel Adventure than anyone else so at least I feel qualified enough to write something on that specifically. This isn’t intended to tell you what to write or not to write, just what I’ve found in having done quite a bit of it.
First, learn proper writing technique – and this includes (gasp!) grammar. Yes, you need to learn it. I am working on it still, and I’m not very good at it. But here’s some Don’ts that I’ve learned.
1. Don’t try to disregard proper grammar. The English language has evolved into its current form over hundreds of years. There are good, valid reasons for differences between commas, semicolons, colons and dashes as well as apostrophes, quotes etc. They exist for a reason. They make reading your crap easier. Trust me on this one, if you want your work to be read, you have to do this. No one’s going to slog through a bunch of home-made grammar rules. I actually did start writing this way. It was dumb.
2. Don’t forget your tenses. If you start writing in past, stick with it. https://depts.washington.edu/engl/askbetty/tenses.php is your friend.
3. Don’t stagnate the reader. In every chapter, something significant should happen. I specifically avoid descriptions and scenery, except where they are needed for the story. Reading is a very imagination-friendly activity. You should have a pretty solid grasp of the scene where an action takes place, but there’s no need to describe it in minute detail to the reader. They can fill in the blanks as good, if not better, than you can.
4. Avoid tropes. I hate tropes, but still use them occasionally. However, I’m constantly looking for ways to subvert the trope and do something different. Your imagination is your friend. Try and find some better, or at least different, way to resolve a situation.
5. Avoid Evil Characters. I don’t believe in Evil characters. Sure, you need a villain, but that villain can have perfectly reasonable motives. Or the villain can just be the situation. When I run across an Evil villain, unless they are Satan Personified, I don’t buy it. Someone wants to kill your character? Fine! But you damn well better know why they want to, even if the reader doesn’t, and it better not be “because they are EVIL”. This one pisses me off to no end. Actions can certainly be classified as evil, but I don’t buy it as a motivation. This may just be me though.
6. Think of your viewpoint. You should be writing typically from your protagonist’s viewpoint. Don’t write about things he/she/it wouldn’t know about. There are times you need to explain something they wouldn’t know, but there are likely creative ways to work around that rather than just be a NARRATOR and expound on it.
7. Don’t show the monster. That’s something I learned from reading Lovecraft – and his own essays on the matter. The reader can imaging far worse (or more beautiful – ‘monster’ is just an example) than you can ever describe. The yoyo-pineapple incident is a good example. Maybe Kaz has some idea what that was, but – believe me, I’ve written an essay on it – the audience can fill it in far better. Describe reaction to the monster, but let the monster stay hidden. Sometimes it’s what you don’t describe that’s the most memorable part of a story.
Next, avoid White Knight-ism AND avoid Perfect Heroine-ism. I’ve seen both. The first, I think, is more rampant and screams of Self Insert-ism. Sure, everyone’s fantasy is to be the White Knight. (or Black Knight but you get the picture). But are you writing a story for yourself, or for your reader? All good characters are flawed, and they shouldn’t be you. And by flawed, I don’t mean that they have an Achilles Heel. I mean that they aren’t perfect. They screw up. Make sure they screw up sometimes.
But the reverse comes up sometimes too. Perfect Heroine-ism. Esp. in relationship-heavy romance type fiction, sometimes the author will endow the object of the protagonists’ affection with perfectionism. Typically female, but of course that varies, but they can fight off the assailant and protect the protagonist invariably. This is related to the White Knight, because – and here’s big news – females aren’t perfect either. And again, I’d better damn well see that in the story. They need to screw up too. Even if they’re not human, they still need to Be Human. Be Fallible.
Fighting those two tropes will improve your story, because the outcome of every conflict is uncertain. Game of Thrones takes it to extremes, but you’ve got to lose sometimes. Want a hell of a good romance? IMHO, write one where the two don’t get together. Or don’t fall in Immediate and Immortal Love. There’s fantasy and then there’s fantasy. I guess it must be possible, but damned if I’ve ever heard of a perfect relationship. At least have the guy leave the toilet seat up once in a while, if you catch my meaning.
Also, avoid Deus Ex-Machina, but don’t let that hinder a good story either. It’s not a NEVER thing, it’s an AVOID thing. Better if the conflicts can be resolved by something conceivable to the reader than something totally unexpected.
Now, specific to Prequel, here’s some observations.
First, if you’re going to write a Katia+X relationship story… don’t. Katia specifically is trying not to get involved in any relationships right now. She wants to build her own life on her own terms. Sure you want to come rescue her from herself (most of her issues are self-inflicted). You can’t do that, and neither can your weird OC because that’s exactly what she doesn’t want. She wants to become her own person, with her own abilities and to fix her own problems. She can’t do that if your story requires the intervention of a third party. For Katia herself, I prefer to just watch her story unfold (slowly). But IMHO she needs to fix her life on her own. No one can fix it for her, even your White Knight.
I don’t think I’ve done any fan fiction involving Katia directly. Side characters are a whole ‘nuther beast. I can twist them into whatever I want I figure, and just keep the bits that I like. Like Quill-Weave’s propensity to get embarrassed at stuff. So that’s fun to exploit. As for my recent Ra’Jirra fictions, let’s be honest – that’s not even Ra’Jirra except that she’s a long-haired khajiit. But I think she’s exploitable because she really has no personality. We know she bailed on Katia, and that’s it. Beyond that we know she’s pretty rude. I used neither of those traits in ‘my’ Ra’Jirra – but then, I also put her into a sort of steampunkish universe too. The connection to Prequel is by the thinnest of threads.
Someone (Kaz I think) also suggested getting some college kid in need of money to edit my work. I’ve not done it, but it’s a very, very good suggestion if you think you’ve written something worthy of it. I’m still finding errors months after having written stuff. Don’t say to yourself “oh, it’s close enough. No one will mind that misplaced apostrophe.” If anyone actually bothers to read your stuff, they will mind. Once or twice, maybe not, but by the time they slog through the whole thing, those little things accumulate. And don’t think the spellchecker will catch that crap either – it catches only the crap you would catch anyway. So, at very minimum, re-read your own thing. Multiple times.
Okay, here’s one that you may not have thought of. Read your stuff. Aloud. Preferably into a recorder. Maybe not to post publicly, but just for yourself. It accomplishes two things – first, when you come across that word you were so proud of, you then realize why no one uses it. Also it makes you revise stuff into normal speaking words instead of written words. The two are awfully different, and reading it aloud makes that very obvious!
Finally, on the subject of – shall we say, FANSERVICE? Yeah. That. I do it all the time. Mine is usually pretty light stuff, but it’s a thing I do. Someone’s bikini top is bound to fall off or something. I’m probably not the best person to advise others on that sort of thing. It’s almost always completely extraneous to the plot, and Tolkien sure as hell didn’t do that. In an anime where early episodes are trying to attract viewership, it makes sense even if it’s kinda cringy. It’s probably worse in fan fiction. I should cut back on it, I know.
In fact, I’m thinking of cutting back on Prequel fan fiction altogether. I don’t know that people who ‘read’ webcomics are much on reading anything. That’s why I made a foray into doing audio. I think it’s easier to ingest than actually reading words on a screen. I’m not very good at it obviously, but my price was right (free). I do think I’d listen to your audio recording of your own stuff though. At least it’s a lot more likely than every reading 31000+ words on a screen.
Just one final thing, sorta related. Some time ago I started doing my own webcomic. (No, I don’t do artwork. Screenshots of posed Skyrim characters). I made the mistake of posting it on some of those sites that list webcomics. Well, guess who goes to those sites? Other webcomic writers. Yeah. I’m not saying not to post your fan fiction on fan-fiction sites, but I don’t think you’re ever going to get popular because of doing that, and you shouldn’t expect it either. Not sure I have a good answer for how to get popular. I’m not. But don’t think that if you post it up there They Will Come. Not likely. Maybe a few, but very few. If you want to Get Popular, you’re going to need to do something other than that.
After all that, of course, you can do what you want. Maybe I’m all wrong. These are just my thoughts on the subject.






























